“Film Noir” reunites the three principal talents from the cult hit “SUB: Way of Samurai”: Ubermann, Kate Crash, and Hiro Super. The three-part movies shows the extent of Ubermann’s filmmaking chops better and more fully than the aforementioned action comedy. Unlike the Samurai movie, Ubermann was in the project not only as director/ editor, but also as cinematographer. His beautiful and poetic cinematography elevates the movies to the level of Francis Ford. Coppola’s “The God Father” trilogy …
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